The stars have sleep-walked through their roles resulting in a bad film.
Viswaroopam's songs manage to convey a plethora of emotions, beautifully sometimes, a little faltering in other places. On the whole,
Even though its heart is in the right place, too much melodrama brings Tamil film Ammavin Kaipesi down.
Aarohanam tells the tale of a woman's struggle with bi-polar disorder.
Mugamoodi's numbers grab your attention and carry you with them
Starring Karthi and Santhanam, Saguni is a mass masala entertainer with precious little logic.
This Rajapattai doesn't offer much to entice the public.
Pavithra Srinivasan feels the music of Tamil film Kadal offers a truly beautiful listening experience.
It is an interesting film shot at a wonderful location. A must-watch.
Pavithra Srinivasan feels that Tamil film Needhane En Ponvasantham isn't as good as director Gautham Menon's previous films.
The real hero of the film is its director Balaji Tharaneetharan.
Neer Paravai is a beautiful record of the lives of a community, their hopes and dreams, and the harsh reality of their lives.
Watch only if you have nothing to do on a rainy afternoon
despite Varu's great performance,the film ends in a disappointing fashion.
Despite a great cast, it doesn't capitalise on its strengths.
The movie is a unashamed re-worked version of Alfred Hitchcock's Strangers in a Train.
The films offers some refreshing songs to hear.
The album may not be scintillating, but it's a pleasant listen.
The film has a healthy dose of humour.
The film is worthy of becoming a cult classic.
It is difficult to find a riveting screenplay, characterisation or much logic in the movie.
For its unconventional story-line, protagonists and plot-points, Azhagarsamiyin Kudhirai is a must-watch.
Vaanam with an ensemble cast, is a reasonably good story, with just a few minor lapses.
Sharreth seems to be a music composer who doesn't play by the rules.
Ponnar Shankar is a remarkably dull Tamil movie.
The film has an interesting mix of songs.
Kullanari Koottam, starring Vishnu might lack logic but it does a reasonably good job at romance.
It's a feel-good, simple, urban romance that has its funny moments.
Ayyan strives to be the quintessential Ilaiyaraja collection, although in a rather diluted fashion.
Pandiraj returns with an ensemble cast about the world's second longest beach, and the pride of Chennai -- the Merina Beach.
It's a relief to see less of hero-overtones and more soft numbers.
Eesan seems to have the usual collection of kuthu, romantic and energising songs, but there's nothing that scales the heights of musical brilliance.
Virudhagiri serves the purpose to be a political vehicle for Vijaykanth.
Ratha Sarithram has a lot of things going for it, including charismatic actors and dramatic possibilities. But it doesn't capitalise on those strengths.
Devi Sri Prasad has a reputation for sticking with his regulation format of tunes and here too, you can see it pop up at certain places but there's also a departure from the usual, mostly an influence of Kamal Haasan in both lyrics and music.
The 3 Idiots remake has shades of the original, but it has director Shankar's touches as well.
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